2020
February 13: live electronics in arrangements of early music by Maria Eduarda Mendes Martins at Omni Temporum: Music of the Past, Languages of the Present, Church of Truth, Victoria
January 29: clarinet in Rach/Ruach (4) by Daniel Brandes with A Place to Listen Ensemble, James Bay United Church, Victoria
2019
October 25: clarinet in momentary encounters (5) by Alex Jang as part of a performance of Lecture on Nothing by John Cage, Phillip T. Young Recital Hall, University of Victoria
October 16: clarinet in now is the moment to learn hope by Antoine Beuger with A Place to Listen Ensemble, James Bay United Church, Victoria
July 13: clarinet and bass clarinet in Trio by Galina Ustvolskaya, Triolet I by Elisabeth Lutyens, Infinity for Morton by Linda Catlin Smith and voice in Sonnet – The Song Within by Sylvia Rickard with Victoria Composers Collective at 5th Annual Oak Bay New Music Festival, St. Mary’s Anglican Church, Victoria
April 29: clarinet in Afternoon of a Fan, Signal, Amid the Pointy Green, and Eve to Adam by Leila Lustig with Marnie Setka-Mooney and Kathryn LeGros at The Soundtrack From… : Leila Lustig’s 75th Birthday Celebration, St. Matthias Church, Victoria
April 17: clarinet in Arctic Blooms by Anna Höstman and strings of sound mapping the thresholds of a liminal space by Jason Doell with A Place to Listen Ensemble, James Bay United Church, Victoria
March 31: clarinet and voice in selections from Karlheinz Stockhausen’s Aus den sieben Tagen, Telepathic Improvisation by Pauline Oliveros, and The ABCs of New Music by Maria Eduarda Mendes Martins with Victoria Composers Collective at Woodstockhausen ’19, Copper Owl, Victoria
March 20: clarinet in Melodía con eco by Gil Sansón and together-playing, together-listening, together-being by Daniel Brandes with A Place to Listen Ensemble, James Bay United Church, Victoria
Nathan Friedman 